If Mirzaei began by fearing that nothing of the world would be revealed now he seems intended to make us turn away from what’s appeared in front of us. Lack of language, before, to talk about the world surrounding us, lack of feeling afterwards, to talk about ourselves. We clearly see that the question that this book attempts to pose concerns the very possibility of seeing, only inasmuch as vision defines our very selves. What can we really see, and what do we become while seeing it? What it is left for us to see? Deraciné, in a foreign city and a foreign language, Mirzaei firmly grasps the chance to think with images about images themselves.

Carlos Basualdo, Here Comes the Sun, University of Pennsylvania Common Press, 2014.